"The most commanding singer on the stage was undoubtedly Krassen Karagiozov as Rigoletto. He deployed his baritone voice to great effect with a wide range of textures. Booming resonance contrasted with suave legato lines and sharply barked taunts. Karagiozov also kept up an impressively consistent limp and hunch throughout his stage time."
Classical Voice San Francisco 2015
“As Count Almaviva, baritone Krassen Karagiozov was excellent, his voice mellow and burnished, his character a despicably self-important man, but one capable of reflection — and funny.”
Mercury News 2010
"The man who gave a bravura performance in La Traviata was the magnificent baritone, Krassen Karagiozov, as Giorgio Germont, father of Alfredo. Later... Karagiozov demonstrated in two great arias all the qualities one listens for in an excellent baritone; vocal strength and authority, beauty of tone, great range, and the ability to utilize all these strengths to sustain his part in the drama."
Classical Voice NC, 2007
"Baritone Krassen Karagiozov gave a superb performance as her beloved Silvio..."
SF Chronicle, 2011
“As Count Almaviva, baritone Krasen Karagiozov was excellent, his voice mellow and burnished, his character a despicably self-important man, but one capable of reflection— and funny.”
Mercury News, 2010
“The true male lead is Alfredo’s father, Giorgio, whose music calls for pages of smooth, powerful singing. Krassen Karagiozov’s confidently supported, attractive baritone brought out much of the part’s beauties, especially in the aria “Di Provenza il mar.”
Raleigh News and Observer, 2007
Don Carlos: "Morte di Rodrigo"
Le Nozze di Figaro-"Hai gia vinta la causa"
Falstaff: "Ford's aria"